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Aruvu Language: An Ancient Language on the Brink of Survival
Aruvu : An Ancient Language on the Brink of Survival
Aruvu (also known as Arava) is an ancient spoken language primarily used by Dalit communities in South Bengaluru, particularly in Anekal Taluk of Karnataka. Despite its rich linguistic heritage and centuries-old existence, the language remains largely undocumented, with no established script and very little recognition in academic, political, or media circles.
Aruvu survives exclusively as an oral language, passed down through generations. Linguistically, it displays remarkable similarities with Kannada, Tamil, and Telugu, reflecting the historical and cultural interactions of communities living along the Karnataka–Tamil Nadu–Andhra Pradesh border regions. Scholars and community elders believe that the language may have evolved through a blending of archaic forms of these Dravidian languages.
Although often overlooked, Aruvu is spoken by a significant population. It is estimated that nearly 40% of the Dalit population in Anekal Taluk uses the language in daily life. More broadly, between 6 and 8 lakh people are believed to speak Aruvu across various clusters in Karnataka, Tamil Nadu, and Andhra Pradesh.
The language is deeply rooted in the history and identity of marginalized communities. Some local traditions trace its origins back nearly 3,000 years. Yet, despite its cultural significance, Aruvu remains absent from most published linguistic records and has received little institutional support. Without systematic documentation, preservation, and promotion, the language faces the risk of gradual decline.
Major Aruvu-Speaking Regions
1. Anekal Cluster (Bengaluru Urban District, Karnataka)
Anekal Taluk remains one of the strongest centres of the language, where Aruvu continues to be actively spoken in homes and communities.
Town: Anekal
Villages and Surrounding Areas:
* Kittiganahalli
* Thirupalya
* Marsur
* Mayasandra
* Sarjapura
* Mugalur
* Dommasandra
* Numerous surrounding hamlets
2. Kolar and Bangarapet Clusters (Kolar District, Karnataka)
Due to the district's proximity to Tamil Nadu and Andhra Pradesh, Aruvu has remained an important medium of communication among cross-border communities.
Towns:
*Bangarapet
* Malur
* Mulbagal
* Robertsonpet (KGF region)
Villages and Rural Areas:
* Hulkur
* Kamasamudra
* Budikote
* Yeldur
* Rural settlements along the Malur–Hoskote belt
3. Bengaluru Rural and Ramanagara Border Region
The language is also found in villages and farming communities along the rural borders of Bengaluru and Ramanagara districts.
Areas and Villages:
* Hoskote peripheral villages
* Kanva region
* Kanakapura rural stretches
* Sulibele
* Hindiganal
* Forest-border hamlets around Magadi
4. Inter-State Border Regions (Tamil Nadu and Andhra Pradesh)
Aruvu extends beyond Karnataka into neighbouring states, particularly in areas historically connected through trade, migration, and shared cultural traditions.
Tamil Nadu (Krishnagiri and Tirupattur Districts):
* Hosur peripheral villages
* Thally region
* Berigai
* Bagalur
* Rural parts of Vaniyambadi
Andhra Pradesh (Chittoor District):
* Villages around Kuppam
* Vasanadu region
* Border settlements connected to Kolar and Krishnagiri
Preserving a Living Heritage
Aruvu is more than a language—it is a repository of collective memory, cultural identity, oral traditions, folklore, and lived experiences of communities that have historically remained on the margins. Documenting its vocabulary, grammar, oral literature, songs, and histories is essential not only for linguistic preservation but also for safeguarding an important part of South India's cultural diversity.
The survival of Aruvu depends on sustained efforts by researchers, community members, educational institutions, and policymakers. Without timely intervention, this unique linguistic heritage may gradually disappear from future generations.
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Wednesday, August 11, 2021
Teej Festival
Celebrated on the third day of the bright half of the North Indian lunar month, Hartalika Teej is one of the three Teej including Hariyali Teej and Kajri Teej that are celebrated throughout India by Hindu women. The Indian monsoon brings along with it this most popular Hindu festival which is celebrated in the Indian states of Rajasthan, Madhya Pradesh, Haryana and Uttar Pradesh.
Here is all you need to know about the date, history, significance and celebration of Hartalika Teej 2021 in India in the monsoon season:
Date:
Hartalika Teej falls a month after the celebration of Hariyali Teej in India and mostly a day before Ganesh Chaturthi. The day is celebrated on Shukla Paksha Tritiya of the Hindu month of Bhadrapud, that is the third day of the bright half of the North Indian lunar month.
This year, Hartalika Teej falls on August 11, 2021.
According to mythology, Goddess Parvati’s friend had once taken her into a forest so that her father would not be able to marry her to Vishnu against her wishes. Parvati requested her friend to kidnap her after her father, Himalaya, promised her hand in marriage to Vishnu.
Parvati wanted to save this marriage from taking place since she had performed severe austerity along the banks of the river Ganga to have Shiva as her husband. After the planned abduction, Parvati performed penance in a thick forest and immersed herself in the adoration of Shiva for many years.
Being an ascetic, Shiva did not know about her before but he finally took notice of her devotion. Appearing before her in his divine form, Shiva agreed to marry her.
The word Hartalika is derived from ‘Harat’ and ‘Aalika’ which means ‘kidnapping of a woman friend’. Hindu devotees believe that it was on the day of Hartalika Teej that Shiva accepted Parvati as his wife after her 108 re-births.
On this day, married Hindu women observe Nirjala Vrat or a fast where they neither eat nor drink throughout the day. Seeking the wellness of their husband, children and their own self, the women fast for day long.
The devotees pray to makeshift statues of Parvati and Shiva for marital bliss, harmony and progeny to mark the festival since it is dedicated to Parvati’s re
Tuesday, August 10, 2021
Sanjhi Art
Sanjhi Painting is a tradition of art that originated out of the cult of Krishna and flourished in the north Indian state of Uttar Pradesh. It is in Vraja, or Vrindavan, the homeland of Lord Sri Krishna, that this art of Sanjhi painting reached its pinnacle.
This art painting is rooted in the folk culture of the region. It was taken to its glory by the Vaishnava temples in the 15 th and 16 th century. Sanjhi came to be regarded as a highly refined art form practiced by the Brahmin priests. Presently, the art of Sanjhi painting is practiced by only a select few and remains a living tradition only in some of the temples of India. One of these temples where Sanjhi painting still survives is the Radharamana temple of Vrindavan. According to mythology,
Radha, Krishna's beloved, used to paint her walls with Sanjhi art to attract her beloved's attention. She used colored stones, metal foils and flowers to paint her freshly plastered cow dung walls. Seeing her, other Gopis of Vrindavan also started painting walls with Sanjhi art to attract Krishna. 'Sanjhi' is a word derived from words like "Sajja', "Shringar' and "Sajavat" which all means 'decoration'. Sanjhi paintings are made at a particular time in the year for the pleasure of Krishna's eyes.
In today's Hands of Grace article, we take a look at Saanjhi Paper Art, a traditional form of stenciled paper cutting, that serves as a conduit of expression for artists’ devotion to Krishna.
Sanjhi Art from Mathura, is a truly unique craft form that features exquisite designs and intricate picture motifs, cut into paper. Craftsmen use specially designed scissors to accomplish this process. Let’s take a look at the history and current state of this artform
Folklore tells us that the origins of this art form lie with Radhe, who made Sanjhirangolis using natural colors, along with flowers, leaves and colored stones, to woo Krishna. The other gopis soon followed suit, also making intricate designs to impress Krishna. Sanjhi has been popular ever since, and during the Mughal period, contemporary themes were introduced for greater perspective. Today, Sanjhi art is found in many homes and spaces. It has been displayed in Delhi metro stations and was recently used for pictograms during the Commonwealth Games
To create a Sanjhi design, stencils are made on paper (mostly handmade) using specially designed scissors. These stencils areplaced on flat surfaces or water, where the rangoli has to be drawn. Dry colors are then sifted onto the surface. Filling the colors and lifting the stencils are as critical as cutting the design. Peacocks, bullock carts, horses, cows, butterflies and trees are some of the common motifs used. The intricate craftsmanship reflects the artist’s devotion and the intimate love for the Blue God. To produce an elaborate Sanjhi design could take anywhere between an hour and a month
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